Date: Circa 1680-1685
Materials and technics: Oil on canvas
Dimensions: H. 71,5 x w. 58,5 cm
Inventory number: PPP833
Acquisition details: Gift of Georges Sortais, 1928
To accept that Nicolas de Largillierre was the greatest portraitist of his era is often to overlook the fact that he worked successfully in all genres and painted many still lives in particular.
Here he draws on 17th century Flemish and Dutch painting which was a major source of inspiration, borrowing the motifs of the niche acting as frame for a still life and that of a red-legged partridge hanging by one foot.
However, he stood apart very clearly from his models. For him, light does not merely serve to emphasise different textures - the softness of feathers, the hardness of the beak, the velvety transparency of the grape, the juicy flesh of a pomegranate, the downy appearance of a peach - even if he does this consummately well. Attentive to reflections, coloured shadows and the harmony of similar things, he uses light to unify all these disparate elements.
The collections portal can be used to search the collections of Paris’s 14 municipal museums (approximately 336,000 works, including 43,000 belonging to the Petit Palais).
It is also possible to download around 12,000 images of the museum’s works free of charge.Access the Museums of the City of Paris collections portal
Discover a selection of databases online presenting works from the Petit Palais or documents concerning the history of the museum.