Two photochromes depicting works from the Dutuit collection (Petit Palais)
Date : Late 19th century – early 20th century (post 1872, the year in which the photochrome technique was patented)
Materials and technics: Photomechanical proofs backed with card in a cutaway mount
Dimensions : H. 17,6 x w. 24 cm and H. 17 x w. 23,7 cm
Inventory number: PHDUT47 et PHDUT48
Room: These works are not currently on display
Two photochromes depicting works from the Dutuit collection (Petit Palais)
Date : Late 19th century – early 20th century (post 1872, the year in which the photochrome technique was patented)
Materials and technics: Photomechanical proofs backed with card in a cutaway mount
Dimensions : H. 17,6 x w. 24 cm and H. 17 x w. 23,7 cm
Inventory number: PHDUT47 et PHDUT48
Room: These works are not currently on display
These two plates reproduce works from the Petit Palais belonging to the Dutuit collection. The images were obtained using the photochromy process.
In the recent catalogue Photochromie. Voyage en couleur, 1876-1914 [Photochromy. A Journey in Colour, 1876-1914], Sabine Arqué describes this complex process: “ […] photochromes are mass-produced colorized lithographic proofs obtained from a black and white photographic negative […].
Léon Vidal filed a patent for the invention of the photochromy technique in 1872. Photochromies were successful, especially for reproductions of works of art. The effect is quite characteristic: the way in which the image is printed gives the impression of relief to the photograph, as well as bright colours which appealed to enthusiasts. In 1872, Léon Vidal embarked on the huge project of using photochromy to reproduce exhaustively the major works of art in French collections. The luxurious book was called Trésor artistique de la France, but never progressed beyond volume II.
Auguste Dutuit, an occasional photographer, paid close attention to the dissemination of his work and was enthusiastic about the most up-to-date techniques such as chromolithography. The works reproduced in these two plates were probably part of a much larger collection. Could they have been plates from the Trésor artistique de la France? Or plates commissioned directly by Auguste Dutuit to enhance his collection?
S. G. C.
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Extern databases
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