Paris 1900

In 1900, artistic life continued to be dominated by the Salon, an annual event that defined an official art form.

Numerous painters devoted themselves to portraits and painted the pictures of Parisian figures (Giron) and icons of the century (Clairin).

The Universal Exposition confirmed two artistic trends which appeared in the mid-1870’s and early 1880’s: impressionism and symbolism. On the fringe of these two trends, Gustave Doré, better known as an illustrator, was a tremendous historical painter.

Painted by Cézanne, Bonnard and Renoir, the dealer Ambroise Vollard played a decisive role in the recognition of avant-garde art.

1900 was the high point of the Third Republic’s taste for public statuary. Alongside this, sculptors found new areas for experimentation. Maillol and Renoir rediscovered antiquity, while Carriès and Cros, unique creators fascinated by colour, erased the usual borders between the major arts and minor arts. Rodin occupied a prominent place in end-of-the-century sculpture. He explored all the expressive possibilities of sculpture and reinvented his relationship with architecture and the monument. Several of his pupils, such as Bourdelle and Camille Claudel, managed to free themselves of the master’s influence and produce original works.

The 1900 period saw the triumph of Art Nouveau.

The art object was increasingly accepted by the Salons and took on a new dignity. Faced with the exhaustion of the historical styles, great artists found a new source of inspiration in nature. In Nancy and Paris, the glass artist Emile Gallé, the architect Hector Guimard, and the jewellers Lalique and Fouquet revived the arts of adornment and decoration.

Between tradition and modernity, paintings, sculptures and art objects summed up the taste of an era.

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The Struggle for Life vase

Louis-Robert Carrier-Belleuse Paris, 1848 - Paris, 1913

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The Wave

Aristide Maillol Banyuls-sur-Mer, 1861 – Perpignan, 1944

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The White Ball

Joseph-Marius Avy Marseille, 1871 – Paris, 1939

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Three Bathers

Paul Cézanne Aix-en-Provence, 1839 - Aix-en-Provence, 1906

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Two half-length portraits of the painter Camille-Félix Bellanger

Maison Ad. Braun & Cie (which operated under this name from 1876 to 1889)

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Two mothers and their children in a boat

Mary Cassatt Alleghency (United state), 1844 – Mesnil-Théribus (France, Oise), 1926

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Two nudes in a landscape (recto). Ladies with a hat and landscape study (verso)

Aristide Maillol Banyuls-sur-Mer, 1861 – Perpignan, 1944

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Vase with cactus decoration

Baccarat Factory (founded in 1764)

City of Paris municipal collection's website

City of Paris municipal collection's website

The online catalogue of the Petit Palais collections includes around 35,000 notes and is added to regularly. Some notes have minimal information; others are more detailed. They are illustrated or they will be shortly.

Access the catalogue of the Petit Palais collections
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Extern databases

Discover a selection of databases online presenting works from the Petit Palais or documents concerning the history of the museum.