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Dirck Van Delen - A scene of gallantry in a palace
David Teniers the Younger - Smokers
Jan Steen - The Little Alms Collector
 Claude Gellée, known as Claude Lorrain - Landscape with the Port of Santa Marinella
Petrus Paulus Rubens - The Abduction of Proserpina
Adriaen Van Ostade - The Analysis
Jacob Jordaens - Diana Resting
 Rembrandt - Self-portrait in Oriental Attire
Meindert Hobbema - The Water Mills
Nicolas de Largillierre - Red-legged partridge in a niche
Henri Mauperché - Composite Landscape
Frans Van Mieris, known as Mieris the Elder - The interrupted song
Nicolas Poussin - The Massacre of the Innocents
Abraham de Vries - Portrait of a man

The interrupted song

Frans
Van Mieris, known as Mieris the Elder
1671
Oil on wooden panel
26 x 21,5 cm

Mieris was extremely popular during his lifetime and this popularity continued throughout the whole of the 18th century. He fell out of favour in the late 19th century along with all the fijnschilders – “precious painters”– of the Leiden school of which he was one of the most talented exponents.

This style of painting has undertones of gallantry, with the association of music and love so common in Dutch painting of the 17th century representing the artist and his wife Cunera van der Cock (1629/1630 – 1700). It also illustrates the theme of the five senses.

This painting, which had belonged to Count Charles de Perrégaux, was sold by his heirs, including his son Edouard who spent all his money supporting the beautiful Marie Duplesssis. We can suppose that the proceeds of the sale enabled him to buy camellias as a gift for the famous courtesan. The two lovers served as models for Alexandre Dumas fils’ heroes Armand Duval and Marguerite Gautier in his novel The Lady of the Camellias.

M. A. P.

Inventory number: 
PDUT00915
Inventory number : PDUT00915
Acquisition details : Dutuit bequest, 1902
Room 26. Portraits and figures
The 17th century
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