Since her childhood, Laurence Aëgerter has cultivated a passion for paintings and antiques, encyclopaedias and practical manuals, museum catalogues and images. In 1993, she left France for the Netherlands, where she has lived and worked ever since, to pursue studies in art history and later,  the visual arts. Fascinated by masterpieces, as well as the smallest everyday objects, she relentlessly marvels at the beauty of things and the infinity of their perceptions.

© Pierre Antoine 

Inspired by both its architecture and its collections, the exhibition weaves its way from room to room and into the garden, inventing disturbing and stimulating resonances with the works. Touched by their grace but also their fragility, Laurence Aëgerter attempts to take care of these sleeping objects and to offer them a new life.

© Pierre Antoine 

The artist's proposal for the Petit Palais reflects her insatiable curiosity for a space with which she has maintained a visual, sensitive and poetic correspondence for over two years. The devices she imagines are fuelled by the desire for escape. Through the revelation of the reverse side of reality , vacillating between illusion and reality reality , she constructs stories. Her scenarios provoke collisions and shifts, where chance and imagination invite themselves to the table of creation. Inspired by the principle of the mirror or the trompe-l'oeil, she likes to invert situations and open up other fields of possibilities when it comes to representing the world.

© Pierre Antoine 

The permanence of memory, the passage of time and the precariousness of human lives recur throughout her work. As if to better exorcise these themes, she devises a joyful promenade that plays with superimpositions, duplications and metamorphoses. The photographs, sculptures and textile works that she creates are proof that it is possible to play with the ghosts of our past. In this unexpected journey, Laurence Aëgerter accompanies us across several centuries of art history and reinvents the museum by infusing it with a breath of new life.

© Pierre Antoine 

Curators :

Fannie Escoulen (guest curator), Susana Gállego Cuesta, Christophe Leribault, Clara Roca (Petit Palais curators)

#LaurenceAegerter

This exhibition was produced thanks to the Mondriaan Fund

It benefits from the support of the Dutch Embassy 

  • Ici mieux qu'en face. Laurence Aëgerter. Engraved mirror. 
    Pierre Antoine

  • Confetti. Laurence Aëgerter. 58,038 confetti pieces, printed on both sides. 
    Pierre Antoine

  • Les Quatre Parties du Monde.Laurence Aëgerter. Jacquard tapestry, yarn made from recycled plastic bottles. 
    Pierre Antoine

  • Huilende harp (crying harp). Laurence Aëgerter. Harp catgut strings and glass drops. 
    Pierre Antoine

  • Longo Maï. Laurence Aëgerter. Four jacquard tapestries with Lurex, mohair and phosphorescent thread.
    Pierre Antoine

  • Longo Maï. Laurence Aëgerter. Four jacquard tapestries with Lurex, mohair and phosphorescent thread. 
    Pierre Antoine

  • Cathédrales. Laurence Aëgerter. 15 photographs (archival pigment print on FineArt Baryta paper). 
    Pierre Antoine

  • Soleils couchants sur la Seine à Lavacourt. Laurence Aëgerter. Jacquard tapestry, mixed threads including mohair and Lurex. 
    Pierre Antoine

  • PPP2101-1806291350 (Cézanne). Laurence Aëgerter. Archival pigment print. 
    Pierre Antoine

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